| Great Organ Specification | |
|---|---|
| GREAT | |
| Bourdon | 16' (a) |
| Principal | 8' |
| Gamba | 8' |
| Harmonic Flute | 8' |
| Bourdon | 8' (a) |
| Octave | 4' |
| Stopped Flute | 4' |
| Twelfth | 2 2/3' |
| Fifteenth | 2' |
| Fourniture | V - VI |
| Cymbel | III |
| Cornet M.C. | (Bmb) V (c) |
| Trumpet | 8' |
| Posaune | (Bmb) 16' (d) |
| Trompette en Chamade | (Bmb) 8' (j) |
| SWELL | |
| Lieblich Bourdon (Ch) | 16' (e) |
| Open Diapason | 8' |
| Rohrflute | 8' |
| Gamba | 8' |
| Voix Celeste (T.C.) | 8' |
| Principal | 4' |
| Koppelflute | 4' |
| Nasard | 2 2/3' (f) |
| Fifteenth | 2' |
| Harmonic Piccolo | 2' (g) |
| Tierce | 1 3/5' |
| Larigot | 1 1/3' (f) |
| Octave Piccolo | 1' (g) |
| Mixture | IV |
| Fagotto | 16' (h) |
| Trumpet | 8' (l) |
| Oboe | 8' (h) |
| Vox Humana | 8' |
| Clarion | 4' |
| Tremulant | |
| Tremulant Fast | |
| Octave | |
| Sub Octave | |
| Unison off | |
| POSITIVE | |
| Gedact | 8' |
| Quintade | 8' |
| Prestant | 4' |
| Rohrflute | 4' |
| Octave | 2' |
| Sesquialtera | II |
| Quint | 1 1/3' |
| Scharff | IV |
| Krummhorn | 8' |
| Trompette en Chamade | (Bmb) 8' (j) |
| Cymbelstern | |
| Tremulant | |
| Sub octave & unison off | |
| CHOIR, IV | |
| Lieblich Bourdon | 16' (e) |
| Contra Viola | 16' (k) |
| Harmonic Flute | 8' (n) |
| Bourdon | 8' (e) |
| Viola | 8' (k) |
| Salicional | 8' (l) |
| Unda Maris (T.C) | 8' (m) |
| Harmonic Flute | 4' (n) |
| Octave Strings Salicional | 4' (l) & (m) |
| Piccolo Bourdon | 2' (e) |
| Sifflute Bourdon | 1' (e) |
| Corno di Bassetto | 8' |
| Posaune (Bmb) | 8' (d) |
| Tremulant | |
| Octave | |
| Sub-octave | |
| Unison off | |
| BOMBARDE, IV | |
| Tuba Mirabilis | 8' (o) |
| Trompette en Chamade | 8' (j) |
| Posaune | 16' (d) |
| Posaune | 8' (d) |
| Posaune | 4' (d) |
| Cornet (T.G.) | V (c) |
| Nachthorn | 8' (p) |
| Nachthorn | 4' (p) |
| Octave | |
| Sub-octave | |
| Unison off | |
| PEDAL | |
| Sub Diapason Acoustic | 32' (q) |
| SubBourdonAcoustic | 32' (r] & [a) |
| Principal | 16' (s) |
| Open Diapason Wood | 16' (q) |
| Subbass | 16' (r) |
| Lieblich Bourdon | (Ch) 16' (e) |
| Octave | 8' (s) |
| Bass Flute | 8' (r) |
| Bourdon | (Ch) 8' (e) |
| Viola | (Ch) 8' (b) |
| Fifteenth | 4' (s) |
| Nachthorn | (Bmb) 2' (p) |
| Octave Flute | 4' (r) |
| Nachthorn | (Bmb) 2' (p) |
| Mixture | IV |
| Contra Posaune | (Bmb) 32' (d) |
| Ophicleide | (Bmb) 16' (o) |
| Posaune | (Bmb) 16' (d) |
| Fagotto | (Sw) 16' (h) |
| Posaune | (Bmb) 8' (d) |
| Trumpet | (Sw) 8' (l) |
| Schalmey | 4' |
| TRANSEPT | |
| Open Diapason | (Gt) 8' |
| Gedackt | (Gt) 8' |
| Spitzgamba | (Gt) 8' |
| Principal | (Gt) 4' |
| Flageolet | (Gt) 2' |
| Mixture | (Gt) III |
| Rohr Flute | (Sw) 8' |
| Echo Viole | (Sw) 8' |
| Voix Celeste TC | (Sw) 8' |
| Principal | (Sw) 4' |
| Lieblich Flute | (Sw) 4' |
| Octave | (Sw) 2' |
| Basson | (Sw) 16' (u) |
| Hautbois | (Sw) 8' (u) |
| Oboe Dolce | (Sw) 8' |
| TREMULANT | |
| Bourdon (Ped) 16' [v] | 16' (v) |
| Bourdon (Ped) 8' [v] | 8' (v) |
| Basson (Ped) (SW) 16' [u] | 16' (u) |
| COUPLERS | |
| Great to Pedal | |
| Great 4' to Pedal | |
| Swell to Pedal | |
| Swell 4' to Pedal | |
| Positive to Pedal | |
| Positive 4' to Pedal | |
| Choir to Pedal | |
| Choir 4' to Pedal | |
| Bombarde to Pedal | |
| Bombarde 4' to Pedal | |
| Transept to Pedal | |
| Swell 16' to Great | |
| Swell to Great | |
| Swell to Positive | |
| Positive to Great | |
| Positive to Swell | |
| Bombarde to Great | |
| Bombarde to Positive | |
| Bombarde to Swell | |
| Choir to Great | |
| Choir to Swell | |
| Bombarde OFF IV | |
| Choir OFF IV | |
| Gt (& cpld. mans.) to IV | |
| Choir ON Positive | |
| Transept to Great | |
| Transept to IV | |
| Transept to Positive | |
| Transept to Swell | |
| Swell OFF III | |
| CONSOLE | |
| Muldersoft capture System with 1 open & 3 secure user areas. | |
| Per user area: | |
| 16 general thumb pistons. | |
| 8 divisional thumb pistons to Positive, Great, Swell and Choir. | |
| 4 divisional thumb pistons to Bombarde. | |
| 6 divisional thumb pistons to duplicate Transept Organ stop-tabs. | |
| 8 divisional toe pistons to Pedal and 8 duplicating Swell. | |
| Reversible thumb pistons for: | |
| Bmb to Pos, Sw to Pos, Pos to Ped, Bmb to Gt, | |
| Pos to Gt, Sw to Gt, Gt to Ped, Sw to Ped, | |
| Bmb to Ped, Ch to Ped, Gt to IV, | |
| Reversible toe pistons: | |
| Sw to Ped, Sw to Gt, Gt to Ped, Bmb to Gt. | |
| Thumb pistons: | |
| General Cancel - T.O. Cancel | |
| Crescendo facility with LED display of program and step number. | |
| Electronic metronome. | |
| Transposer - 11 semitones up or down with LED display. | |
| Sequencer with 768 steps per user area (divided into 16 items of 48 steps) and insert facility. | |
| Thumb pistons for "SET" & sequencer "NEXT", "LAST", "RESTORE". | |
| Toe piston for "NEXT". | |
| MIDI Sequencer: | |
| MIDI IN/OUT/THRU port. | |
| 3 illuminated switches for: | |
| Choir Expression to Swell | |
| "NEXT" on Divisional Pistons. | |
| Invert Manuals II & I. | |
| 3 switches for :- | |
| Generals (9-16) on Pedal Toe Pistons. | |
| Generals (1-8) on Swell Toe Pistons. | |
| Great & Pedal Pistons Coupled. | |
| 4 position rotary switch for control of 2 swell pedals: | |
| T.O. Closed / Open / to Swell / to Choir. | |
| Drawstop for Choir Combinations to Positive Pistons. | |
| Drawstop for Pedal Divide coupler. | |
| Choir & Swell expression Pedals. | |
| Transept Organ Specification | |
| GREAT, I | |
| Open Diapason | 8' |
| Gedackt | 8' |
| Spitzgamba | 8' |
| Principal | 4' |
| Flageolet | 2' |
| Mixture | iii |
| Hautbois (SW) | 8' (u) |
| SWELL, II | |
| Rohr Flute | 8' |
| Echo Viole | 8' |
| Voix Celeste (TC) | 8' |
| Principal | 4' |
| Lieblich Flute | 4' |
| Octave | 2' |
| Basson | 16' (u) |
| Hautbois | 8' (u) |
| Oboe Dolce | 8' |
| Tremulant | |
| Octave | |
| Sub-octave | |
| Unison off | |
| PEDAL | |
| Bourdon | 16' (v) |
| Bourdon | 8' (v) |
| Basson (SW) | 16' (u) |
| Organ-Direct G.O Stop-Tabs | |
| Tuba | 8' (o) |
| Posaune | 8' (d) |
| Trompette en Chamade | 8' (j) |
| COUPLERS | |
| Swell to Pedal | |
| Great to Pedal | |
| Swell 4' to Pedal | |
| Swell to Great | |
| Auto Pedal Coupling | |
| T.O. On Upper/ G.O. On Lower | |
| Great to Swell/ G.O. Off Upper | |
| CONSOLE | |
| Muldersoft capture system with 1 open & 3 secure user areas. | |
| Per user area: | |
| 8 general and 4 divisional levels. | |
| 6 general thumb pistons. | |
| 6 divisional thumb pistons to each manual | |
| (Great perm. coupled to Pedal). | |
| 16 general thumb pistons operating G.O. | |
| 6 divisional toe pistons duplicating Gt. & Ped. coupled. | |
| 6 divisional toe pistons duplicating Swell. | |
| Reversible thumb pistons: | |
| Sw to Gt - Gt to Ped - Sw to Ped | |
| Reversible toe pistons: | |
| Sw to Ped - Sw to Gt - Gt to Ped | |
| Blind reversible toe pistons with LEDS: | |
| G.O. Contra Posaune 32' G.O. Sub Bourdon 32' | |
| Thumb Pistons: | |
| T.O. General Cancel. G.O. Gen. Can. (with LED) | |
| Read-only LED display panel for control of G.O. level position and user area. | |
| Duplicate of G.O. Crescendo pedal with LED display of program and step number. | |
| Transposer - 11 semitones up or down with LED display. | |
| Electronic Metronome. | |
| T.O. Sequencer with 384 steps per user area (divided into 8 items of 48 steps) and insert facility. | |
| Thumb pistons for "SET" & sequencer "NEXT", "LAST", "RESTORE". | |
| Toe pistons for "NEXT". | |
| Midi Sequencer | |
| MIDI IN/OUT/THRU port. | |
| 3 switches for: | |
| G.O. Generals (1-8) on Swell Toe Pistons. | |
| G.O. Generals (9-16) on Gt & Pd Toe Pistons. | |
| T.O. Generals on Gt & Ped Toe Pistons. | |
| G.O. & T.O. expression pedals. | |
| 2 x 3 position rotary switches for control of G.O. expression pedals: | |
| G.O. Swell - closed / open / on T.O. 2nd pedal. | |
| G.O. Choir - closed / open / on T.O. 2nd pedal |
This is one of those rare organs that has everything that makes us love the instrument – grandeur and beauty of sound and form, complex yet simple function, noble architecture, lively acoustic, good siting.
The rebuild undertaken by the South Island Organ Company was made possible by generous gift by the Hughes family in memory of Alice Hughes (deceased).
The work has been extensive, involving a complete reorganization and expansion of the internal layout, with several new divisions, additional pipe work and complete re-voicing, new winding system, new serial-drive Muldersoft transmission and capture system, and low-profile transept console.
The rebuilt organ completed for Easter 1998 is a triumph of eclectic organ design and is amongst the largest Church organ installations in Australia.
